How art-world institutions have corrupted the terms of the art encounter, for Tablet
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A French history of the concept, Nietzsche’s stance, and artists of the Paleolithic
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The pious and dreary insistence on heightened empathy as a proper or desirable response to art is made only by those with a stunted understanding of…
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Essays on contemporary arts & letters by Alice Gribbin
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Notes of an Aesthete